New Delhi, November 19: By any standard, Ishamuddin Khan is a man of remarkable talents. Back in 1995, this traditional Indian magician or madari, completed the first successful outdoor performance of a trick that had been whispered about for centuries but that no one before had mastered.
When, before an amazed audience on the southern edge of Delhi, Ishamuddin managed a convincing rendition of the legendary Indian rope trick, it made headlines around the world that ought to have secured his place in the history of magic and won him lasting recognition at home.
Yet that has not happened. Almost 15 years after he performed a trick that many experts believed to be impossible – in 1934 the Magic Circle in London offered a prize of 500 guineas to anyone who could do it – Ishamuddin is struggling, not only for recognition but simply to get by. While he has toured Britain, Europe and Japan to display his mesmerising skills, he says that India is increasingly turning its back on traditional performers such as himself in its race to become all things modern. To supplement his job devising magic tricks to encourage school children to learn science, he sometimes works as a conjurer at McDonald’s.
“Every capital city around the world that I have been in has an area for street performers,” said the 42-year-old, who lives in a crowded cluster of tiny homes in west Delhi known as the Kathputli – or puppeteers’ – colony: an area rich with the skills of performers, musicians and craftsmen but sorely lacking in facilities. “But rich people in India are offended if you talk about street performing. They are only interested in computers or software. I am poor but I am suffering not so much from poverty as I am from the attitude of the Indian government. I am happy in my poverty but I would like people to respect me as I am. I would like recognition.”
–Agencies