Baahubali Kattappa image: How it was created?

Chennai: While the fans will have to wait for the sequel to know ‘Why Kattappa killed Baahubali?’, the secret behind the creation of now-famous image in the S S Rajamouli-directed blockbuster has been revealed by concept artist Viswanath Sundaram.

Sundaram, who has designed more than 1,000 concept art pieces for Rajamouli’s film, says working on the project was equivalent to doing ten movies thanks to its epic nature.

Talking about that famous shot, Sundaram says, “Rajamouli sir called me to develop designs where ‘Kattappa kills Baahubali.”

“First, I developed a frame but the director felt it was too low an angle to shoot on the screen. The next one too did not convince him since the slayer’s face was obscure. Later, I composed a silhouette with fire and grey backdrop, and my art was ultimately replicated on the screen without any change.”

Kattappa scene may be the signature image from the movie but Sundaram considers the statue-lifting scene of Bhallala Deva (played by Rana Daggubati) in the first installment as the most challenging shot he envisioned as a concept artist.

“In the first part, the statue-lifting sequence was very challenging. That shot was an important one to propel the story forward. I created three sketches with panoramic views and handed the printouts. During the shoot, they had the sketches in front of them to decide where to place the shots.”

Sundaram believes film industry has gradually opened doors to concept art and graphic design aritsts for projects made on a broad canvas.

“In our industry, concept design is employed only in particular films and by specific filmmakers. Few directors follow a methodical approach to work on the story board first, subsequently on concept design and then finally on developing the visuals.”

Sundaram got his first break as a concept artist in the critically-acclaimed Tamil thriller “Vidiyum Munn”.

However, his career-defining moment came when he was called to work on the “Baahubali” series by award-winning production designer Sabu Cyril.

“I was working in Coimbatore when I got the call. Initially, I was apprehensive about the project but in due course, I managed to do well. Art director Sabu Cyril told me that ‘Baahubali’ is equivalent to ten movies and I experienced it while working on the film.”

The artist says his work is more of a collaboration among the director, production designer, VFX supervisor, cameraman and himself.

“The director will detail the next sequence to be shot 15days in advance, alongside production designer and VFX supervisor. After I start the work, the director and production designer will enhance the design as per the need and then utilise it.”

While Sundaram’s work in “Baahubali” is mostly focused on designing concept art and developing visuals, he was hired by director Shankar for “character designing” in the Rajinikanth, Akshay Kumar-starrer “2.0”.

“In ‘2.0’, I have been asked to do character design. VFX supervisor Srinivas Mohan called me during the first part of ‘Baahubali’. Director Shankar saw the sketches I did for ‘Baahubali’ and appreciated the details and background work.

“Then he explained a sequence and told me to redesign ‘Chitti’ Robo’s character, its hairstyle and also to design the villain”, says Sundaram.

In “Baahubali 2”, Sundaram will get credit in the category of ‘concept design and visual development’, and he is elated that even storyboard artists are getting due recognition.

“Baahubali: The Conclusion”, starring Prabhas, Rana Daggubati, Anushka Shetty and Tamannaah Bhatia, is scheduled to release on April 28.

PTI